Women Make Waves International Film Festival

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  • And the Dogs Were Silent

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    And the Dogs Were Silent

    Sarah Maldoror 1978 France color 14min DCP
    date time venue guests rating
    10/18 16:40 Spot Huasan A One G
    10/21 15:10 Spot Huasan A One G
    Adapted from Aimé Césaire’s poetic play, Maldoror stages a revolutionary’s final monologue amid the storage rooms of Paris’s Musée de l’Homme, where looted African artifacts extend anti-colonial critique to museums and knowledge production. She also appears onscreen as the mother.

    Director

    Sarah Maldoror

    Sarah Maldoror (1929-2020), a pioneering filmmaker, secured a place in the histories of women’s cinema and African cinema with the anti-colonial classic *Sambizanga*. The film earned her titles “Mother of African Cinema” and “revolutionary auteur”. Yet these labels are never quite sufficient. With over forty films to her name, her body of work closely accompanies the major intellectual and political movements of the 20th century—Négritude, Pan-Africanism, feminism, and communism—tirelessly documenting the people’s struggle for liberation. Born in France to a Guadeloupean father and a French mother, she began her career as a theater-maker, co-founding a theater company, *Les Griots*—the first theatrical troupe in France composed entirely of Black actors in the 1950s, before studying filmmaking in Moscow. She later joined Africa's anti-colonial struggles and became a key figure in pan-African cinema. Despite being deeply committed to the liberation movements in Africa with her companion, the MPLA poet and founder, Mário Pinto de Andrade, her work eschewed propaganda and heroic spectacle, locating revolution in labor, song, neighborhood solidarity, women’s participation, cultural continuity, and everyday lives. Throughout her life, she continually crosses identities, borders, and cinematic forms, using cinema as a tool of pursuing freedom and resistance. Rooted in Black consciousness yet spanning across Africa, Europe, and the Black diaspora, she forged a singular cinematic language. Perhaps no words better capture her life's work than her mentor Aimé Césaire dedicated to her: "To Sarah Maldoror, who, camera in hand, fights oppression, alienation, and flies in the face of human bullshit."

    Sarah Maldoror

    Cinematographer Vincent Blanchet
     

    Editor Bernard Favre
     

    Sound Henri Roux

    The Friends of Sarah Maldoror and Mario de Andrade Association
    andradeandmaldororarchives@gmail.com

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