Women Make Waves International Film Festival

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    Monangambééé

    Sarah Maldoror 1969 Angola, Algeria b/w 16min DCP
    date time venue guests rating
    10/18 13:30 Spot Huasan A One PG12
    10/22 21:00 Spot Huasan A One PG12
    An Angolan political prisoner is brutally interrogated after a guard mistakes his wife’s ordinary remark for a revolutionary code, exposing colonial ignorance and fear as engines of violence. In her directorial debut, Sarah Maldoror rejects heroic spectacle and didacticism, approaching resistance through a woman’s perspective, the persecuted body, and everyday life. Art Ensemble of Chicago’s free-jazz score moves between eruption and silence, forging a transatlantic resonance between African anti-colonial struggle and the African American freedom movement.

    Director

    Sarah Maldoror

    Sarah Maldoror (1929-2020), a pioneering filmmaker, secured a place in the histories of women’s cinema and African cinema with the anti-colonial classic *Sambizanga*. The film earned her titles “Mother of African Cinema” and “revolutionary auteur”. Yet these labels are never quite sufficient. With over forty films to her name, her body of work closely accompanies the major intellectual and political movements of the 20th century—Négritude, Pan-Africanism, feminism, and communism—tirelessly documenting the people’s struggle for liberation. Born in France to a Guadeloupean father and a French mother, she began her career as a theater-maker, co-founding a theater company, *Les Griots*—the first theatrical troupe in France composed entirely of Black actors in the 1950s, before studying filmmaking in Moscow. She later joined Africa's anti-colonial struggles and became a key figure in pan-African cinema. Despite being deeply committed to the liberation movements in Africa with her companion, the MPLA poet and founder, Mário Pinto de Andrade, her work eschewed propaganda and heroic spectacle, locating revolution in labor, song, neighborhood solidarity, women’s participation, cultural continuity, and everyday lives. Throughout her life, she continually crosses identities, borders, and cinematic forms, using cinema as a tool of pursuing freedom and resistance. Rooted in Black consciousness yet spanning across Africa, Europe, and the Black diaspora, she forged a singular cinematic language. Perhaps no words better capture her life's work than her mentor Aimé Césaire dedicated to her: "To Sarah Maldoror, who, camera in hand, fights oppression, alienation, and flies in the face of human bullshit."

    Sarah Maldoror

    Screenwriter Sarah Maldoror, Mario de Andrade, Serge Michel
     

    Cinematographer Abdelkader Adel
     

    Music Art Ensemble of Chicago

    The Friends of Sarah Maldoror and Mario de Andrade Association
    andradeandmaldororarchives@gmail.com

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