One of the most important American experimental filmmakers and entrepreneurial promoters of the avant-garde in the 1940s and 1950s. DEREN was also a choreographer, dancer, film theorist, poet, writer and photographer. Her 1943 film Meshes of the Afternoon remains her unassailable magnum opus, and is widely considered one of the most influential experimental films in American cinema.
1977 Divine Horsemen: The Living Gods of Haiti 神怪的騎馬人，活著的海地天神
1958 The Very Eve of Night 夜之眼
1948 Medifation on Violence 暴力省思
1946 Ritual in Transfigured Time 變形時間中的儀式
1945 A Study in Choreography for Camera 為攝影機所作之舞
1944 At Land 陸地上
1943 The Witch's Cradle 女巫的搖籃
1943 Meshes of the Afternoon 午後的羅網
1977 Divine Horsemen: The Living Gods of Haiti 神怪的騎馬人，活著的海地天神
1958 The Very Eve of Night 夜之眼
1948 Medifation on Violence 暴力省思
1946 Ritual in Transfigured Time 變形時間中的儀式
1945 A Study in Choreography for Camera 為攝影機所作之舞
1944 At Land 陸地上
1943 The Witch's Cradle 女巫的搖籃
1943 Meshes of the Afternoon 午後的羅網
