Women Make Waves International Film Festival

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    I-94

    Bette GORDON James BENNING 1974 USA color 3min English DCP
    While still a film student in the University of Wisconsin-Madison in the mid-1970s, Bette GORDON colloaborated with James BENNING on several experimental projects, using structuralist approaches to tell the stories of landscape, metropolis, and eroticism. I-94 uses optical printing effects to create intercourse between two people who never appear on the screen at the same time, exploring sex and male/female identities.

    Director

    Bette GORDON

    A pioneer in American Independent Cinema and one of the most notable filmmakers from the "No Wave Movement" in the 1980s New York, GORDON is known for her bold explorations of themes related to sexuality, violence and power.

    James BENNING

    An important independent filmmaker, BENNING is legendary for his formal rigor, structuralist approach and landscape mastery.

    Bette GORDON

    1974 I-94
    1974 Michigan Avenue
    1975 The United States of America
    1977 An Algorithm
    1980 Empty Suitcases
    1981 Anybody's Woman
    1983 Variety
    1986 Seven Women, Seven Sins
    1998 Luminous Motion
    2009 Handsome Harry
    2016 The Drowning 

    James BENNING

    1974 I-94
    1974 Gleem
    1975 The United States of America
    1977 11 x 14
    1977 8 1/2 X 11
    1978 Grand Opera: An Historical Romance
    1979 Oklahoma
    1986 Landscape Suicide
    1998 Four Corners (III)
    1999 El Valley Centro
    2001 Los
    2002 Sogobi
    2005 One Way Boogie Woogie/27 Years Later
    2007 RR
    2007 Casting a Glance
    2009 Ruhr 
    2010 Pig Iron
    2011 Small Roads
    2012 One Way Boogie Woogie 2012
    2012 Stemple Pass
    2014 Chicago Loop
    2016 Spring Equinox
    2016 Fall Equinox
    2018 L. Cohen
    2021 From Bakersfield to Mojave

     

    Director: Bette GORDON, James BENNING

    Bette GORDON
    Gordon.bette@gmail.com

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