Women Make Waves International Film Festival

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THE SHULEA MIX brochure

  ●Brochure● ▌Content:Shu Lea Cheang's film information, still images, filmmaker's information, information of selected past exhibition and artwork and contents from THE SHULEA MIX public dialogue.  ▌Price:$300 

THE SHULEA MIX film collection ●4-DVD Box Set●

●THE SHULEA MIX 4-DVD Box Set● ▌Content:4-DVD+Brochure。 ▌Film:《Fresh Kill》、《I.K.U.》、《Fluid∅》、《THE SHULEA MIX short films collection》(including《Color Schemes》、《Sex Fish》、《Sex Bowl》、《Coming Home》、《Fingers and Kisses》、《LOVEME2030》)  ■Private Use:$2,000 / set〈including tax〉 ■Public Use:$20,000 / set〈including tax〉Order Now>>     ●Brochure● ▌Content:Shu Lea Cheang's film information, still images, filmmaker's information, information of selected past exhibition and artwork and contents from THE SHULEA MIX public dialogue.   

Fresh Kill

■Content Fresh Kill 1994 │USA│Fiction │Colour│ 80min│English From the beaches of Taiwan's Orchid Island, used as a nuclear waste site in the 1980s, to the shores of New York's Staten Island, Fresh Kill revolves around the detritus of an urban consumer society whilst exploring connections among characters on the edges of corporate capitalism and off-centre in a white, bourgeois, heterosexual world. ■Filmmaker Shu Lea CHEANG As an artist and filmmaker, Shu Lea Cheang has worked with various art mediums and film formats, including installation, performance, net art, public art, video installation, feature length film and mobile web serial. As a net art pioneer, her Brandon (1998-1999) was the first web art commissioned and collected bythe Guggenheim museum in New York. She has been crafting her own film genre of new queer cinema, calling them eco-cybenoia (Fresh Kill, 1994), scifi cyberpunk (I.K U 2000 ), scifi cyphepunk ( FluidØ, 2017).   ■ Product Information Release:Taiwan Women's Film Association Content: Fresh Kill Format: DVD  

I.K.U.

■Content I.K.U. 2000│Japan│ Fiction│colour│ 74min│ Japanese, English Early in the 21st Century, THE GENOM CORPORATION, a multinational enterprise of creature industry who has built a porno empire with IKU CODERS. The IKU CODERS travel in SEXSCAPE, hot sexing with men and women to collect mosaic orgasm data. I.K.U. is conceived as a post Blade Runner Sci-Fi porn set in year 20XX. It is a sexy role-playing movie of orgasm hunting by the seven replicants Reiko. ■Filmmaker Shu Lea CHEANG As an artist and filmmaker, Shu Lea Cheang has worked with various art mediums and film formats, including installation, performance, net art, public art, video installation, feature length film and mobile web serial. As a net art pioneer, her Brandon (1998-1999) was the first web art commissioned and collected bythe Guggenheim museum in New York. She has been crafting her own film genre of new queer cinema, calling them eco-cybenoia (Fresh Kill, 1994), scifi cyberpunk (I.K U 2000 ), scifi cyphepunk ( FluidØ, 2017).   ■ Product Information Release:Taiwan Women's Film Association Content: I.K.U. Format: DVD

Fluid ∅

■Content Fluid ∅  2017 │Germany│Fiction│colour│ 80min │English, French  Set in the post-AIDS future of 2060, where the Government is the first to declare the era AIDS FREE, mutated AIDS viruses give birth to ZERO GEN - humans that have genetically evolved in a very unique way. These gender fluid ZERO GENs are the bio-drug carriers whose white fluid is the hypernarcotic for the 21st century, taking over the markets of the 20th century white powder high. The ejaculate of these beings is intoxicating and the new form of sexual commodity in the future. The new drug, code named DELTA, diffuses through skin contact and creates an addictive high. A new war on drugs begins and the ZERO GEN are declared illegal. The Government dispatches drug-resistant replicants for round-up arrest missions. When one of these government androids immunity breaks down and its pleasure centers are activated, the story becomes a tangled multi-thread plot and the ZERO GENs are caught among underground drug lords, glitched super agents, a scheming corporation and a corrupt government. Check yourself in as a fluid junkie for a super hyper viral ride. ■Filmmaker Shu Lea CHEANG As an artist and filmmaker, Shu Lea Cheang has worked with various art mediums and film formats, including installation, performance, net art, public art, video installation, feature length film and mobile web serial. As a net art pioneer, her Brandon (1998-1999) was the first web art commissioned and collected bythe Guggenheim museum in New York. She has been crafting her own film genre of new queer cinema, calling them eco-cybenoia (Fresh Kill, 1994), scifi cyberpunk (I.K U 2000 ), scifi cyphepunk ( FluidØ, 2017).   ■ Product Information Release:Taiwan Women's Film Association Content: Fluid ∅  Format: DVD

THE SHULEA MIX short films collection

THE SHULEA MIX short films collection 1989-2005│USA, Japan│Fiction, Experimental documentary│colour│ 80min│Japanese, English, French, Spanish THE SHULEA MIX short films collection features Shu Lea CHEANG's six short films made during 1989-2005, that is, COLOR SCHEMES, SEX FISH, SEX BOWL, FINGERS AND KISSES, COMING HOME, and LOVEME2030. These short films exemplify a wide range of topics, such as queer, gender, sex, race, politics, that have been the central motifs throughout her career.  ■Content   Color Schemes 1989│USA│Experimental│colour│ 28min│English An upbeat, ironic look at America’s multicultural society, Color Schemes uses the metaphor of “color wash” to tackle conceptions of racial assimilation. Challenging stereotypes, twelve writer/performers collaborate on four performance sequences—soak, wash, rinse and extract. Spinning through this tumble- jumble of America's washload, the performers scheme to claim racial images that remain color vivid. Color Schemes was also exhibited in its installation form (with a self-service washing machine) at the Whitney Museum in 1990. Sex Fish 1993│USA│ Experimental│ colour│ 5min │English Dripping from the faucet, spraying against a shower curtain, swirling down a toilet, water leads viewers from one sex scene to another, private to public and back again. Swimming through the video are various fish, seemingly unaware of the derogatory pun they enact…   Sex Bowl  1994│USA│Experimental │ colour│ 6min│ English  Fingers moving into bowling balls, shoe-smelling and toe-sucking… All forms of human sport become sites for sexual play and celebratory eroticism. Edited like a music video, the image track is a constant flow of fetishes that lure us into triangle chaos.   Fingers and Kisses 1995│ Japan│Experimental│ colour│ 5min│ Japanese How did they make it? The unbearable innocent fingers and kisses. Colors on the screens, your, hers, mine… Cheang has taken her camera to the streets for a candid glimpse of lesbian public sexuality. The film challenges to the question “What do lesbians do?”   Coming Home 1995│USA│Experimental│colour│4min│English, Japanese She loves her, and she loves her too. She is Japanese and she is Australian. The awkward fitting of bodies into a small space is just one of the allegorical scenarios dramatized in a pressing appeal for lesbian rights.    LOVEME 2030  2005│Japan│Fiction│colour│30min│Japanese Paris, like the other metropolitan cities in Europe, was flourishing because of new crossing urbanities, while tension was born between the conservative and the new types of Europeans. By the year of 2030, the new races of Europeans have a chance to return to their hometown where the standard of living began to improve.  In anticipating the exodus of reverse migration, LOVEME2030 wishes to defer the unfinished love stories until year 2030. Love me, not now, not here. LOVE ME when I am gone.  ■Filmmaker Shu Lea CHEANG As an artist and filmmaker, Shu Lea Cheang has worked with various art mediums and film formats, including installation, performance, net art, public art, video installation, feature length film and mobile web serial. As a net art pioneer, her Brandon (1998-1999) was the first web art commissioned and collected bythe Guggenheim museum in New York. She has been crafting her own film genre of new queer cinema, calling them eco-cybenoia (Fresh Kill, 1994), scifi cyberpunk (I.K U 2000 ), scifi cyphepunk ( FluidØ, 2017).   ■ Product Information Release:Taiwan Women's Film Association Content: THE SHULEA MIX short films collection Format: DVD

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