台灣國際女性影展

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    未來無恙 Turning 18

    賀照緹 HO Chao-Ti 2018 台灣 彩色 87分鐘
    「我不想放棄我自己！」少女說。 她獨自走進大人世界，那是一場關於性別暴力的生存遊戲。她必須成為最勇敢的 18 歲女孩，才能面對自己的人生。這部兩個原住民女孩的成長紀錄片，是個關於心碎和遺棄的故事，更是個愛與勇氣的故事。導演溫柔捕捉兩位女孩的成長與蛻變，經過 7 年的製作，紀錄者與被攝者間建立了情如母女的緊密的陪伴關係。這關係在影片結束後，繼續在兩造的生命軌道上運轉著...

    For most people, home is a source of comfort and stability. However, for Hui-chen, home is associated with a painful past. She feels that the only way to reclaim her life is to escape from her family. As she reaches the age of 18, Hui-chen is faced with a difficult decision. Raised in a broken indigenous family, she has been searching for a place to call home. She must consider whether to leave home and start anew, despite the social stigma surrounding young girls who do so. While it is expected that she return to her family, Hui-chen must weigh the harm they have caused against the responsibility she feels to take control of her own life. Is leaving home an irresponsible act or a necessary step towards self-empowerment?

    導演

    賀照緹HO Chao-Ti

    獨立紀錄片製片人、導演，製作國際性議題的紀錄片，成績斐然，《我愛高跟鞋》曾獲紐約當代美術館（MoMA）邀約展出。曾任台灣國家電影中心董事、臺北市紀錄片從業人員職業工會監事，台灣女性影像學會理事、CNEX 基金會擔任台灣辦公室製片統籌，亦投入新生代導演的培訓工作。作品包括： 《穿在中途島》(2009)、《我愛高跟鞋》(2010)、《台灣黑狗兄》(2013)、《太陽，不遠》(2014,製片)、《未來無恙》(2018)。 Chao-Ti HO 's cinematic creative works focus on marginal or non-mainstream subjects, including traditional ethnic music, hybrid contemporary culture, the hidden costs of globalization, etc. She is one of the female producers and directors who are regarded as the new generation's foremost in Taiwan. She presents her deeply honest approach to documentary filmmaking that inspires critical analysis and reflection.

    賀照緹HO Chao-Ti

    2001《縣道184 之東》County Road 184
    2003《手風琴在路上》Squeezebox On The Road
    2005《蟑螂X 檔案》Cockroach Confidential
    2005《請問多重》How Many Grams?
    2006《站在火山口》
    2006《炸神明》The Gangster's God
    2009《穿在中途島》Wandering Island
    2010《我愛高跟鞋》My Fancy High Heels
    2012《303》
    2013《台灣黑狗兄》Sock'N Roll

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