台灣國際女性影展

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    臨時工 Temporary

    許慧如 HSU Hui-Ju 2017 台灣 彩色 30分鐘 DCP
    被棄置的工廠、打零工的工人、及城市邊緣圍牆上被層層塗抹的尋找工人圖文，骯髒卑微卻強烈鮮明。他們不見容於主流的價值、美學，被驅趕、擠壓到城市的最邊陲，在功利地被使用完畢之後，隨即遭到丟棄。他們是現代化工業歷程的遺跡，反映出「工」在社會階層的處境。我們試圖以非典型紀錄片的拍攝手法，記錄這種存在感日漸消失的邊緣景況，這些影像彷彿提醒我們，城市中隱藏了一種即將消亡的荒涼與生猛，它們正在尋找生存的可能。

    This film is told through the examples of temporary workers, in an abandoned factory and by the signs on the wall saying “help wanted”, in order to reflect the reality of the working class. They are the “relics” of the modern industrialization process, cast aside to the empty and barren edge of urban cities. We hire three real-life temporary workers to play the temporary workers in the film. They live between the real and the virtual worlds, between the city and wilderness, and between family and rootlessness.

    導演

    許慧如 HSU Hui-Ju

    作品關注生與死，透過家庭及特定場域，重新理解生命經歷苦痛的意義。2003年《雜菜記》獲日本山形國際紀錄片影展「亞洲新力」競賽單元獎勵賞 ; 2008年《黑晝記》獲得台灣國際女性影展觀眾票選獎、台灣國際紀錄片影展之台灣獎評審團特別獎，入選瑞士真實影展。近作《臨時工》入選日本山形影展，《地洞》入選英國雪菲爾德影展。 Graduated from the Graduate Institute of Studies in Documentary and Film Archiving, Tainan National University of the Arts, HSU Hui-Ju, now mother of two, specializes in documentary filmmaking. Her Hard Good Life (2003) won "New Asian Currents" Awards of Excellence at the Yamagata International Documentary Film Festival, Japan. Hard Good Life II(2008) won the Audience Choice Award at Women Make Waves Film Festival.

    許慧如 HSU Hui-Ju

    2003/雜菜記/Hard Good Life

    2008/黑晝記/Hard Good Life 2

    2012/鄉關何處/Out of Place

    2017/臨時工/Temporary

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